ABOUT

Chase Petra’s music has always been about growth: growing up, growing out, growing tired of what others expect of you. On their sophomore album, LULLABIES FOR DOGS, the Long Beach, CA trio once again elevates the existential questions that pepper life’s long, unpredictable journey.

The follow-up to 2018’s Liminal, Lullabies for Dogs alternates timeless melodicism (the somber “Two Nights In New York” and hypnotic acoustic-based “Icarus”) and tireless energy (“Centrifugal Force” and “Bread And Circus,” which crash with the unpredictability of early Panic! At the Disco) – establishing Allen, drummer Evan Schaid and bassist Brooke Dickson as one of the emo scene’s most adroit acts.

And it’s their sense of figuring things out in real time that makes Chase Petra so relatable, as the band’s “quarter-life-crisis pop” elevates deep introspection to navigate the messiness and confusion that comes with modern life. Their songs are guided by the age-old push-and-pull between what it means to grow up and be grown up, to see your once-bright dreams dulled by the responsibilities of adulthood and grapple with the fallout.

Three people posing indoors in front of a textured wall and window. One person is standing, wearing glasses, a black t-shirt, red jacket, and jeans. The other two are sitting, one with reddish hair in a checkered jacket and the other with light blonde hair in a knitted sweater.

Two performers on stage in colorful costumes dancing, with a backdrop featuring stars and castle designs, and bright stage lights above.

Person in theatrical costume with ruffled collar and corset sitting at pink vanity set with dramatic stage lighting.